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Finally Home My face · Allow me to introduce myself · Samantha.20.Caffeine addict.Future neurologist.Nearly fearless.

“I know what makes him cry and I know what makes him cum. So I win.”

My co-worker, on her ex. (via ziraffe)

You don’t know shit!🙊

(via xtoefurx)

(via justtheladyinblack)

nokiabae:

my biggest fear is I’m married & my husband says, “let’s cut sugar out of our diet” so I have to leave with the kids in the middle of the night

(via fudgepuff)

donkos:

me on the internet: gay

me irl: gay, but quietly

(via doihonestlycare)

(Source: kanekiikenn, via saminal)

basedgosh:

can we please get some sort of mental health education for parents i cant believe how many are in denial of their child’s condition

(Source: canadad, via doihonestlycare)

Nicki Minaj is not a woman who easily slides into the roles assigned to women in her industry or elsewhere. She’s not polished, she’s not concerned with her reputation, and she’s certainly not fighting for equality among mainstream second-wave feminists. She’s something else, and she’s something equally worth giving credence to: a boundary-breaker, a nasty bitch, a self-proclaimed queen, a self-determined and self-made artist. She’s one of the boys, and she does it with the intent to subvert what it means. She sings about sexy women, about fucking around with different men. She raps about racing ahead in the game, imagines up her own strings of accolades, and rolls with a rap family notorious for dirty rhymes, foul mouths, and disregard for authority and hegemony.

While Beyoncé has expanded feminist discourse by reveling in her role as a mother and wife while also fighting for women’s rights, Minaj has been showing her teeth in her climb to the top of a male-dominated genre. Both, in the process, have expanded our society’s idea of what an empowered women looks like — but Minaj’s feminist credentials still frequently come under fire. To me, it seems like a clear-cut case of respectability politics and mainstreaming of the feminist movement: while feminist writers raved over Beyoncé’s latest album and the undertones of sexuality and empowerment that came with it, many have questioned Minaj’s decisions over the years to subvert beauty norms using her own body, graphically talk dirty in her work, and occasionally declare herself dominant in discourse about other women. (All of these areas of concern, however, didn’t seem to come into play when Queen Bey did the same.)

Nicki Minaj’s Feminism Isn’t About Your Comfort Zone: On “Anaconda” and Respectability Politics | Autostraddle (via becauseiamawoman)

(via burnflickerdie)

wulfriciceberg:

Helga’s thirst was so fucking real.

I love how helga’s fantasy wasn’t just “get arnold” it was “Be wildly succesful and have immense amounts of power and oh also be married to arnold”

(Source: joons, via fudgepuff)